Sex Talk

Public discourse has not caught up with the lived contradictions that lie at the root of sexual harassment and the culture of harassment. The media can’t get enough of these stories. And yet, no amount of coverage of rape, harassment seems to shift things. The story of one’s harassment/rape has always already been written by someone else. This is one of the many things that make sexual violence so awful. It is why DJT’s language matters, why it feels so familiar. We know that sentence, because we have felt it on our bodies.

All that talk — the blaring of the story of one grope after another — we are angry hamsters in a spinning wheel.

There is no necessary relationship between how much people talk about sex, and much sexual generosity/intelligence is produced by that talk. Plenty of sex talk is abusive, phobic, sexist and harassing. Much of that sex talk is presented as “knowing” but is in fact ignorant. Plenty of sex talk is a site of intimacy, bonding and generosity. Much of that talk is staged around one’s humiliation and ignorance but is in fact wise.

People sense a hypocrisy in public outrage vis a vis DJT’s behavior but can’t quite name its nature.

Harassment does not disrupt the workplace’s order; it actually regulates it. The more hierarchical and segregated the environment, the more this is true. Those who confront and resist harassment take a beating for this reason.

Take the strange and shifting place of sexuality in this anecdote lifted from a story in The Nation, regarding a recent DJT rally. The reporter describes a conversation with a female DJT supporter:

She also mocked the women who accused Trump of assault. ‘What we say in private, who cares? The other day, a bunch of women at work: We was talking trash talk, about sex and everything else, it’s what we do. None of us are saints. Who cares?’ She doesn’t care if he grabbed these women against his will? ‘Who said he grabbed them? And lemme tell you right now: back in the day, a billionaire had come by, I’d have been wanting him to grab me! I’m sure they were wanting him to grab them.’ Then she added, ‘Even though I am a victim of sexual assault.’ I told her I was sorry for that, and she brushed it off. ‘That right there with the women, if it happened, I’m sure it was wanted.’

We should not mistake the contradictions that this woman voices for stupidity. This woman is describing the lived contradiction shaping the life of the sexed worker — the worker who embodies sex, is sex, and moves through the workplace as the embodiment of the world that has already been mined for resources before she arrives for her working day. Sex haunts the workplace as the sign of all that has been stolen from the worker before she earns a dime. Groping literalizes that theft. It is a reminder: that body is not yours. Never was. In a way, there is a cruel truth to that fact. These stories of sexual harassment are slippery. The harassment story spreads like a germ from one man to another. This sick energy swirls around the figure of a powerful woman in a pantsuit who presents herself as a soulless wall — she is irrelevant. This is what harassment does to its victim. Maybe that position advances to: She is the same as him. She is the problem. Get rid of them both. But of course, she is not.

She is different, and yes — difference is the problem here. She is the one who will embody our embarrassment. That is HRC’s struggle — how not to become that figure (which has never not haunted her, as the public’s “good wife”).

We bemoan the fact that DJT’s racism never grabbed the public’s fascination in the way that his sexual behavior does — that, too, is a difference problem. One is knotted into the other: his campaign opened, after all, with the declaration that Mexicans are rapists. And because this country didn’t, in numbers, at that moment, recognize the seriousness of the problem in his candidacy — we are here, now, counting the numbers of women willing to come forward and tell the stories of how they were touched.

Until we get how harassment grows from the contradictions which structure our lives, until we come to grips with how, as Silvia Federici once put it, “sexuality is work,” we will not get very far in cleaning up this mess. In part because we’ve grossly underestimated its scale.

Locker Room

Brian de Palma’s Carrie opens with a nightmare. After a humiliating gym class, Carrie retires with the girls to the locker room. Her classmates are filmed in a dreamy haze — brushing silken hair, slipping perfect bodies out of and into their clothes. Carrie is taking a shower; water courses over her white skin. The camera is so close, her hands reach between her thighs and water streams between her legs. The scene is sexual. She starts to bleed and freaks out because she has no idea what a period is. Naked, wet and bloody she flees the shower and runs into the pack of teenage amazons. These beautiful monsters tease her by waving tampons in her face, they call her names and push her back into the shower — she cowers in the corner, still wet and naked, as they throw sanitary napkins at her. Blood is everywhere in Carrie. The whole film circles back to this moment — Carrie, bleeding; a pack of girls, laughing at her. By the movie’s end, she will be covered in blood and set her world on fire. Sex and horror; sex as horror. Her mother’s prophetic warning loops and warbles over the soundtrack: “They’re all going to laugh at you!” And they do — the whole crowd, gathered in the space where the film began — in a high school gymnasium — laughs at Carrie, as she stands there — humiliated, shamed again in her naiveté.

This locker room is a social space of a certain kind of privacy; it is where we learn that the private is always already public.This locker room is coercive: the locker room of our nightmares is not that of the spa, it is that of the school. This locker room is the space of sexism’s subconscious — this is one reason why it figures so often, and so prominently in film. It is where we imagine our private self is exposed. It is where our bodies are forced into the most primitive disciplining structures.

That “you can see there was blood coming out her eyes, blood coming out of her wherever” did not disqualify Trump — in either the media or the public’s eye — is a neat reminder of how deeply disgust with women’s bodies is integrated into everything that feels normal. Thus the exchange between Trump and Bush: they are sharing the fear of/disgust with women’s bodies as a kind of sex talk. This is how sexists shake hands.

You can hear the violence of this locker room in the phone messages that Richie Incognito left for his teammate Jonathan Martin — he promised to shit in his mouth, slap his “real mother” across the face and more. The player who complained is mocked for not being a man. This sexualized violence frames the locker room at Penn State — the place where Sandusky took boys to shower. In this not-quite private place sexual assaults were witnessed by athletic department employees. None of these men knew, really, how to talk about what they saw.

This locker room is a real and an imaginary space. It is an overdetermined space in American culture because we have absorbed sports and its changing rooms into the nation’s architecture. This locker room is a threshold space, a space of transformation. It is where our bodies are absorbed into the grid, as either sexual subject or sexual object. As human or as thing. We all pass through this space — much as we pass through women’s bodies — and emerge into the world as one thing or the other.