The Joy of Ashlyn Harris

 

Within a sexist setting, women’s joy is valuable only as an image that serves men’s pleasure. Within queer and feminist settings that pleasure circulates, echoes, accumulates. It is shared out, given away, taken back, stored, recycled, amplified, converted into thought and energy or just left to be what it is. It is never just one thing. It is selfish and generous, sharp and blurry, spontaneous and planned.

The cultural minimization of the value of women’s joy has a big impact on the development of women’s sports. It is hard to start a women’s team when the women in your community are taking care of their families in addition to holding down jobs. Those women will need to argue (with themselves as well as their husbands, children, parents) for the importance of their game over the importance of care-taking. That is very, very difficult to do. For a 40-something year old woman, there is no argument for her game beyond its importance to her pleasure.

The trolls running the country would have you think that progressive spaces look like tortured graduate seminars in which everyone is trying to prove how smart and “correct” they are. And while, sure, some spaces are a lot like that, really and truly inclusively queer feminist communities can generate an energy much closer to the vibe of this USWNT or, reaching back to a moment earlier this year, the vibe created by UCLA’s gymnastics squad — as represented by Katelyn Ohashi.

Women’s sports and women athletes — like the Williams sisters — increase the sense of the possible and expand our sense of how joy, desire and power can express themselves.

Yesterday, when she called for more love and less hate, Megan Rapinoe spoke from that place of joy. Do not let anyone tell you that that “more love” is a limp political sentiment — whoever is telling you that has clearly never felt the full force of a 72-hour champagne-fueled chaotic gay energy wave, never mind figured out how to harness it!

Alors

 

Once the last match was finished, as the winners celebrated and the losers put their arms around each other, the stadium thrummed with the grinding beat of Stromae’s 2009 hit, “Alors on danse.”

As fantastic as that song is; it is a VERY strange thing to play at the end of a World Cup final.

The gist of these lyrics: it’s all pointless. We are misery itself and dance to forget. It’s all a grind; we just get deeper and deeper dans la merde. On danse because what’s the use.  It’s an anthem for alienation and depression. Go team!